Chroma: A Photographer's Guide to Lighting with Color. Nick Fancher

Chroma: A Photographer's Guide to Lighting with Color


Chroma-A-Photographer-s-Guide.pdf
ISBN: 9781681983103 | 224 pages | 6 Mb

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  • Chroma: A Photographer's Guide to Lighting with Color
  • Nick Fancher
  • Page: 224
  • Format: pdf, ePub, fb2, mobi
  • ISBN: 9781681983103
  • Publisher: Rocky Nook
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Chroma: A Photographer's Guide to Lighting with Color by Nick Fancher Learning to work with light is an important milestone in every photographer’s career, and the ability to craft light to fit your vision for an image is a skill that cannot be overrated. Most often, that crafting of light is spoken of in terms of the quality and quantity of light. But there is an important, third component of light that heavily influences the final look of the image: the color of light. In Chroma: A Photographer’s Guide to Lighting with Color , photographer Nick Fancher helps you elevate your game when it comes to introducing the bold, creative, and intentional use of color into your work. Whether you’re using a high-powered strobe or a small hotshoe flash, Chroma is for you. Nick begins with a discussion of color theory, gels, and white balance, then examines how to determine which colors complement your subject matter (whether that’s people or products). He moves on to cover topics such as: Balancing, mixing, and overpowering ambient light with artificial light Layering colors for unique color combinations Mixing hard and soft light to achieve extremely rich color Lighting detail and texture Modifier options, such as ring flash, snoots, barn doors, softboxes, and filters Gobos to control the light Post-processing for vibrant, powerful colors How (and why) to light with color, even when the end goal is a black and white image Illustrated throughout with innovative and expressive imagery, Chroma also includes behind-the-scenes photos, lighting diagrams, and Lightroom settings so you can follow along from the initial concept through to the final edit.

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Following the tradition, dark colors like brown and black are good for a masculine subject. Light tones and pastels are better for feminine subjects or when tenderness is the primary emotion the photographer wishes to evoke. Remember to keep the subject's clothing, hair, and skin color in mind when selecting a background  Reflecmedia providing chroma key products for photographers
Portable chroma key products ideal for photographers, videographers, worship. Interactive Setup Guide Icon Interactive Setup Guide Chroma key – commonly referred to as blue screen or green screen – is the technique for combining two images, in which the coloured background from one image is removed (or made  Influence of Light to Colour for colour assessment | JUST-Normlicht
ISO 3664:2009. Colour matching in the graphic arts industry. The valid ISO 3664: 2009 standard regulates the viewing conditions for the colour proofing of originals and reproductions in the graphic arts industry. The users arephotographers, advertising agencies, classical prepress businesses, and printers on the press. Keying in After Effects - Adobe Support
When a background is not of a consistent and distinctive color, you can't remove the background with keying effects. Under these Other common terms for this kind of keying are color keying and chroma keying. Difference Light your color screen uniformly, and keep it free of wrinkles. Start with the  ChromaGuide CIN
Organise your world of colour in an innovative, intuitive and precise tool. 5 Point Lighting Set Up for Greenscreen | Chroma key, Lighting
Let there be light! If you are using any sort of greenscreen or backdrop in your shot, a 5 point light set up is ideal. You need to have enough light to light u. 博客來-作者-Nick Fancher
博客來搜尋,作者,關鍵字:Nick Fancher,分類:全館,就地取材、巧用光線的零元攝影棚 架設術2:硬光技法,攝影用光無極限:用簡單設備構建隨身影棚,Studio Anywhere 2: Hard Light: A Photographer's Guide to Shaping Hard Light. 5 Tips for lighting a green screen for a clean key - DIY Photography
One would think that lighting up a green screen would be similar to working with something like a white seamless backdrop. But there are a few differences. Unlike a white seamless, green screens aren't blown out beyond your camera's dynamic range. They can also reflect colour back onto your subject. A Photographer's Guide to Lighting with Color by - WordPress.com
by Nick Fancher : Chroma: A Photographer's Guide to Lighting with Color. ISBN : #1681983109 | Date : 2018-05-31. Description : PDF-79cec | Learning to work with light is an important milestone in every photographer's career, and the ability to craft light to fit your vision for an image is a skill that cannot be overrated. Most.